Story: You can link snaps together and broadcast them as you capture them.So, if you Snapback, you’re just replying to a private one-on-one snap that you’ve received. Nevertheless, if you’ve heard it, just know that it simply means a reply to a snap. Snapback: This term was more popular when Snapchat launched, but it’s faded since.The Snapchat app itself is also colloquially referred to as “Snap”, as is the app’s developer/public company. So, when someone asks you to snap them, they are asking you to send them a photo or video through Snapchat, or even a message through the app’s chat function. Snap: When you take a photo or video, or receive a photo or video, it is known as a “Snap”.

Snapchatter: It’s not as common anymore, but it means a user of Snapchat.

A print is created through the contact between two things–a plate or a screen and a sheet of paper, and for Harima the essence of that process reflects the state of being a foreigner.įor more information about both exhibitions, visit the Shirley Fiterman Art Center website. This thought process led to her increasing interest in printmaking, which became the basis for her video work “This is a Mirror , after Camnitzer.” Her title is a reference to “This is a Mirror, You Are a Written Sentence ” from 1966-68, by Luis Camnitzer, a pioneering figure of conceptual art and noted printmaker. Through living in the United States, Midori found “a plurality of self,” redefining her concept of “I” as not one, but a multiplicity. Previously, she lived in the United States for 16 years, first on the West Coast, then in New York City. Harima is a Japanese artist currently based in Kanagawa, Japan. Harima’s installation will feature video, photography, printmaking, and sculptural works that investigate aspects of originality and reproduction, ephemerality and permanence as well as human consumption and value systems. Midori Harima: “This is A Mirror” Midori Harima, Democracy Demonstrates (detail), 2017, 367 archival pigment prints on cotton paper, wood installation Her works and collaborative projects, which reach across disciplines and employ innovative approaches that foster an open sense of creativity and cooperation, have been shown widely. This is the first exhibition of Donovan’s glass compositions. The relation between the object and the transmission of light through it creates constantly variable discoveries that continually change. The resulting experience is of works that are simultaneously solid and ephemeral, magically static and fugitive.

This installation is imbued with complex ideas about vision, optics, language, and philosophy which Donovan distills into the jewel-like, three-dimensional objects resembling crumpled stained-glass cathedral windows, and their large-scale projections. Donovan’s project delves into intricate interactions between glass and light and human perception. Both exhibitions will run through August 5.Ībby Donovan: “The Colors Are Like Words That Are Not Words but Colors” Abby Donovan, Composition 41d for Ibn al-Haytham (with artist’s hand), 2022, projection with sun as light sourceĪbby Donovan’s solo exhibition is comprised of constructions of colored glass and large-scale imagery created by projecting through the stained-glass works. at SFAC.ĭonovan’s work will be presented in the North Galley while Harima’s will be on display in the South Gallery. The artists-Abby Donovan, “The Colors are Like Words That Are Not Words” and Midori Harima, “This is Not a Mirror”-will both appear at an opening reception that will include an artist talk on June 7 from 6 to 8 p.m. Two new exhibitions are set to open in tandem on June 7 at the Shirley Fiterman Art Center (SFAC) located in Fiterman Hall at 81 Barclay Street.

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